If topic stuff is what is entity depicted in a production of art, what is the topic of non-representational productions such as Blue, Orange, Red by Mark Rothko and Autumn Rhythm by Jackson Pollock?
What is Donald Judd communicating in his fragment titled 100 Untitled Works in Mill Aluminum? What do you believe the gratified is? How does the construct aid the productman express the gratified? How does the production of Pollock and Judd dispute?
Explain how you affect when viewing an artproduction externally representational imagery, storytelling, or open peculiar affecting. Can shapes and colors call-out agitation and rendering?
Identify visual elements and principles of contemplation in your separation.
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