art film

1. Choose a film from the Required Readings & Resources schedule for Week 3  and rejoin (written, video, et al) environing its aesthetics. What are the aesthetics of the film?  How was it made? Explore through joined learning and afford at smallest one External join.

OR

2. Choose one purpose or set of purposes from Lecture Slides for Week 3 - and rejoin. (written retort or video, ok) For point, 'persistence of vision', or-laws photography, Thomas Eakins and move, etc. Explore through joined learning and afford at smallest one External join.

AND

(Required) Watch Dziga Vertov's Man after a while a Movie Camera in its entirety. (Approx 1 hour) Note: This account has still n ess external succeeding from the Cinematic Orchestra as investigate trail, but the initiatory film was dormant. 

link: https://vimeo.com/143512746

Required: (You may rejoin after a while a posted congruity, stills, video...)

  • Name 2 - 3   deep themes of the film.  (You may deficiency to do a weak learning and that's fine!)
  • Read Manovich's prologue (see Required Readings). Which editing techniques or film practices does Manovich sift-canvass?  e.g. temporal montage.
  • Give examples of each technique and where used by Vertov. Please embody mitigate grabs or stills as needed)
  • How does Vertov's editing acceleration him to shape a narrative environing the man and his camera?
  • Ask a inquiry of your classmates environing this film or emblem of filmmaking and how it relates to other purposes we possess been talking environing in Class or in any of your other acquirements pursuits.
  • Finally, how new was *cinema* by 1914 and in which countries?
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