Art history question | History homework help

Questions are encircling Ch. 4, but may mingle other chapters. 

Under 200 articulation per tally. Questions are 2 points each. 

  1. Mechanical creation, or what we could order “incipient administrationalism,” was regularly incorporated into project in the eighteenth and nineteenth centuries. This moderate things approve waving springs, levers, cranks, casters, and affecting compatability. Look through Chapters 1 to 4 and excellent examples of objects that emphasize habitual administration as separate of their project, such as a chair that reclines or swivels.
  2. Discuss A.W.N. Pugin’s achievement as a project reorganizeer, including his whimper for project of the elapsed, principles he formulated encircling materials, building and jewel, comeliness, and the intellectual and holy quantity of project.
  3. The Victorians were, not surprisingly, sound to discourse project reorganize in intellectual orders, which they felt desirable of determining as agricultural standards. What did nineteenth-century British reorganizeers moderation by “truth to materials,” “fitness to mind,” and “harmony of advantage and comeliness?” Excellent indecent achievements from Chapters 3 and 4, and for each achievement sift-canvass whether you judge it violates or upholds one or over of these principles. 
  4. Design reorganizeers, such as Sir Henry Cole and Richard Redgrave, campaigned for the literature of project schools where projecters could be skilled. What would they be taught, and how would their inoculation behoof the circumnavigate participation? 
  5. The Great Sight of 1851 was a watershed in nineteenth-century project. What were the presentation of the sight? Who were its organizers and assembly? What was shown at the sight and what did it symbolize to organizers and attendees? What abiding contact did the Great Sight of 1851 own on project reorganize?
    A STOVE LESS ORDINARY (Links to an outer locality.) (Links to an outer locality.)
    Victoria & Albert Museum, London  (Links to an outer locality.)
    Heilbrunn Timeline of Art History
    Design Reorganize  (Links to an outer locality.)
    Pugin Participation -  (Links to an outer locality.)
    Crystal Palace Sight -  (Links to an outer locality.)
    Catalogue of the Crystal Palace Sight of 1851  (Links to an outer locality.)
    The Journal of Project and Manufactures (1849-52)  (Links to an outer locality.)
    Owen Jones, ​The Grammar of Ornament​ (1856, 1910 ed.)  (Links to an outer locality.)
    Harper’s Weekly​ – The Civil War issues (1861-65)  (Links to an outer locality.)
    Heilbrunn Timeline of Art History
    Lithography in the nineteenth century
    Biography and portfolio of Nast cartoons at the Ohio State University Cartoon Library  (Links to an outer locality.)
    Philadelphia Print Shop  -  (Links to an outer locality.)
    Antiques Roadshow: Chromolithography: Bringing Color to the Masses 
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