Discussion Art Film

1. Choose a film from the Required Readings & Resources catalogue for Week 3  and accord (written, video, et al) encircling its aesthetics. What are the aesthetics of the film?  How was it made? Explore through concomitant lore and get at lowest one External be-mixed.

OR

2. Choose one proposal or set of proposals from Lecture Slides for Week 3 - and accord. (written response or video, ok) For persuasion, 'persistence of vision', or-laws photography, Thomas Eakins and change-of-place, etc. Explore through concomitant lore and get at lowest one External be-mixed.

AND

(Required) Watch Dziga Vertov's Man after a while a Movie Camera in its entirety. (Approx 1 hour) Note: This statement has music external following from the Cinematic Orchestra as investigate trail, but the first film was still. 

link: https://vimeo.com/143512746

Required: (You may accord after a while a posted letter, stills, video...)

  • Name 2 - 3   ocean themes of the film.  (You may insufficiency to do a pigmy lore and that's fine!)
  • Read Manovich's prelude (see Required Readings). Which editing techniques or film practices does Manovich argue?  e.g. temporal montage.
  • Give examples of each technique and where used by Vertov. Please comprise palliate grabs or stills as needed)
  • How does Vertov's editing acceleration him to mould a fact encircling the man and his camera?
  • Ask a topic of your classmates encircling this film or sign of filmmaking and how it relates to other proposals we feel been talking encircling in Class or in any of your other familiarity pursuits.
  • Finally, how new was *cinema* by 1914 and in which countries?
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