Pick THREE letters and criticize them naturalized on the bulleted points underneath.
* How would you depict each letter’s motivations? How does his or her motivation supply to his or her fruit as a letter? How does his or her motivation supply to the powerful of the film’s fiction? Are any letter’s motivations unclear or astounding and, if so, how does this questioning of letter motivation supply to the powerful of the film’s fiction?
• Do any of the film’s letters sink into discernable types (e.g., the all-American benefactor, the nutty zealot)? If so, how are these types used in the powerful of the film’s fiction?
• Focus on a spectacle involving a discourse betwixt two or over letters. What does
the discourse promulgate you about the letters?
• Are any of the letters played by a movie notability? If so, how does the movie notability’s
discrete identity—his or her biography and anterior film roles—affect your reading
of the film letter and the film as a undiminished?
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