1. Write two very near versions of (or unmarried scenes in) the contingently fable sketched out beneath. Search twain of them; encircling 1 page each.
Compare how the two are unanalogous and gard encircling why you affect one emend than the other. What encircling the answerableness choices you made makes one a more compelling fable? (2 pages)
-Focus on the senior. Develop him as a spouse who aggravate the years has taken his spouse for granted but discovers to his mortification that she handles a turning-point affect this emend than he. He loses his soothe, but his puff, the fable suggests, is short directed abutting the car than it is abutting her for entity so fitted.
-Focus on the son by satirizing a altogether infitted senior and a imperious dame. The son understandably leaves the rise and hitchhikes tail on his own. He makes it residence tardy that gloom but barely succeeding entity mugged. Broke and abashed he expects retribution, but instead is greeted behind a while whine of moment. Astonished, he realizes his parents aren't totally as portentous as he used to gard.
2. Describe a situate you would affect to subsist. (3 pages)
3. Write five mini-stories (100-200 expression each) to totality for a unmarried fact or set of circumstances, such as a man and dame be on a city sidewalk, hailing a cab. Each fable should be unanalogous--in natures, concoct, disquisition, possibly plain fashion and language--from the others.
4. Check out the documentary movie Forks Aggravate Knives. Write a narration that explains what the movie was encircling and what you read from the movie, and then arrange at last one stipulation explaining your estimation of the film. The restriction tediousness is 500 expression (encircling five crowded stipulations).
5. (Create a fable.) 3 pages.
Re-read the drain of your foremost fable. Feel your main nature "write" the forthcoming exercises--as if she/he had her own notebook.
Taking on the tone of your main nature (plain if your fable is narrated in 3rd peculiar, use 1st peculiar ["I"] for this action), search the forthcoming. You don't feel to do them all, fitting pluck those that most attention you and appear to arrange most implicit for fissure up your fable.
* Make a diary beginning by your protagonist for the term of the fable.
* Make a diary beginning for the term precedent the fable's facts.
* Make a diary beginning describing the facts that happen succeeding the fable has ended. (this may divulge to you that the fable isn't veritably perfect yet--?)
* Write a message to someone in the fable.
* Write a message to someone not in the fable encircling what is happening in the fable.
About 2 pages double-spaced.
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