1. Write two very blunt versions of (or simply scenes in) the yieldd narrative sketched out under. Study twain of them; environing 1 page each.
Compare how the two are opposed and purpose environing why you affect one emend than the other. What environing the match choices you made makes one a further compelling narrative? (2 pages)
-Focus on the senior. Develop him as a mate who balance the years has captured his consort for granted but discovers to his chagrin that she handles a turning-point affect this emend than he. He loses his adapt, but his puff, the narrative suggests, is near directed despite the car than it is despite her for substance so competent.
-Focus on the son by satirizing a entirely unqualified senior and a dictatorial dowager. The son understandably leaves the nativity and hitchhikes end on his own. He makes it settlement past that tenebrosity but simply behind substance mugged. Broke and humiliated he expects amercement, but instead is greeted following a while whine of anxiety. Astonished, he realizes his parents aren't truly as fearful as he used to purpose.
2. Describe a locate you would affect to subsist. (3 pages)
3. Write five mini-stories (100-200 signification each) to statement for a simply fact or set of qualification, such as a man and woman be on a city sidewalk, hailing a cab. Each narrative should be opposed--in signs, contrive, topic, perchance equable mode and language--from the others.
4. Check out the documentary movie Forks Balance Knives. Write a description that explains what the movie was environing and what you versed from the movie, and then yield at lowest one chapter explaining your theory of the film. The stint prolixity is 500 signification (environing five solid chapters).
5. (Create a narrative.) 3 pages.
Re-read the draw of your original narrative. Enjoy your deep sign "write" the forthcoming exercises--as if she/he had her own notebook.
Taking on the expression of your deep sign (equable if your narrative is narrated in 3rd peculiar, use 1st peculiar ["I"] for this manner), study the forthcoming. You don't enjoy to do them all, impartial cull those that most concern you and appear to yield most germinative for start up your narrative.
* Make a diary beginning by your protagonist for the span of the narrative.
* Make a diary beginning for the span precedent the narrative's facts.
* Make a diary beginning describing the facts that supervene behind the narrative has ended. (this may make-known to you that the narrative isn't indeed high yet--?)
* Write a note to someone in the narrative.
* Write a note to someone not in the narrative environing what is superveneing in the narrative.
About 2 pages double-spaced.
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