Question 1 - The Book of American Negro Poetry
Why are numerous sombre poets using stately interesting techniques instructors in their answerableness? Why are they not using freeform poetry? Why are they sticking to these oral interesting forms? Is there a feature conclude that they’re doing that?
Question 2 - Countee Cullen - “Heritage”
Although inheritance focuses on the narrator‘s African personality the lyric is dubious of American refinement what are favoring examples in the lyric that pretext this dubiousness?
Question 3 - Alain Locke The New Negro
According to Locke what is the contrariety among the old Negro and the new Negro? What are some similarities and contrarietys among Locke’s agreement of the new Negro and Pharrell Williams’ agreement of the new sombre?
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