Who defines a museum collection and how?

Answer these questions from the lections adown ( See attachments) 

Discussion consultation answers should be 200-500 tone.

(don’t compute the questions‘ tone) 

 From Alexander lection (provision 8):
I don’t bear a instrument for this

  1. Who defines a museum gathering and how?

From Curtis lection:


  1. How does this dissertation weave the goals of the total museum? How is the total museum defined?
  2. Would you tally that art self-possessed from an precedent era (pg. 75) should be viewed in vain of contrariant sensitivities and values inobservant of that era? Why or why not?
  3. Similarly, in the quittance Curtis notes 4 ways in which museums can manipulate repatriation…which of these 4 would you endorse? Or would you endorse further than one and why?

From the Art and Craft instrumentary: 

Documentary: Art and Craft: What's It Take to Catch a Fake? (2015)

  1. With which protagonist do you rehearse, Mark Landis or Matthew Leininger? Was the exertion of Landis a actual intimidation to authorship and authenticity?
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