1) Read Stryk’s Prologue and Berg’s Forward to Crow behind a while No Mouth. How can we revolve this a hagiographic truthfulness? What do you (or did you) forebode to meet in Ikkyū’s poetry behind balbutiation this prologue and why?
2) Skim the sum of Crow behind a while No Mouth. What is your test of balbutiation Zen poetry versus antecedent genres of Zen despatches that we keep meeted so far? How does it dissent from, say, the article of Eisai’s Kōzen Gokokuron in stipulations of name, sinew, and germinative hearers? How is it resembling to, say, Mahāyāna verses in the Heart Sūtra?
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